In conversation withHans Ulrich Obrist,artistCharles Atlasreminiscesaboutstarting out in the NYCunderground drag sceneof the 1970s, andcollaboratingwith the likes of Merce Cunningham, Michael Clark, and Leigh Bowery.Reinterpreted through the lens of photographerCharlie Engman,his lexiconis oneof raw energy and omnivorous imagination, spanning from docu-fantasy to mathematics, from TV to TikTok.
Shot in Tokyo byMotoyuki Daifuon the occasion of hisDon't Follow Me Because I'm Lost Too!!tour,London-basedVEGYN is something of a prodigy, having produced music for the likes of Frank Ocean, founded his own record label, and doubled as a graphic designer. Here, hesits down for a chat withCyrus Gobervilleto explain how he remains level-headed in the oversaturated electronic music arena.
DJ Harveyhas been a fixture on the dancefloor since he started DJing in 1985, going all the way from the phoneless freedom of those anarchic acid house parties to gaining deity status as an early pioneer of the Balearic sound. CapturedbyAnton Gottlobat Ibiza’s legendary hotel and nightclub, Pikes, he flaunts his playboy style and carefree worldview, asThomas Gortonpicks his brain on the future of dance music.
No longer referring to the stuffy, old-moneyed, exclusionary world it once represented, the term“preppy”is undergoing something of a renaissance. In a bootleg, updated version of the ironic“OfficialPreppy Handbook” from the 1980s, featuring photography byTim Schutsky,we reclaim Prep style for a new dapper class, appropriating not just the dress but the full package of mannerisms, signifiers, and curated experiences—to very different ends.
Formerly known as boychild, a moniker that embraced myriad explorations at the fringes of being human,Tosh Basconow returns to a vulnerable, fleeting, porous self.Captured byLee Wei Sweeand interviewed byX Zhu-Nowell,she describes her improvisation-based performances as a mode of survival and world-building—a subtle testament to the ungraspable nature of living, stemming from feelings of non-belonging and erasure.
A special, limited-edition cover story provides a cultural reading of the work ofMark Floodfrom the’90s to recent years, as he continues to probe the basic precepts and structures of the art world—or, as he puts it, to"fuckthe frame." In conversation withPatrick McGraw, the Houston-based artist discusses ideas of irony, performativity, and ownership in an increasingly appearance-based world.