{"product_id":"port-38","title":"Port #38","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDISCLAIMER: Shreeji cannot guarantee specific covers for this item. Leave us a note or shoot us an email and we'll see what we can do, but for the best chance to secure a specific cover please visit us in store.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Spring\/Summer issue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePort\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– featuring Maude Apatow, Naomi Ackie, Robert Aramayo, Headie One, James Norton and Leo Woodall, photographers Heather Hazzan, Jesse Crankson, Valentin Hannequin, Angalis Field, Albane Durand-Viel, Hill \u0026amp; Aubrey, Lola Banet, Marius W Hansen, Cruz Zimmer, Christian Cassiel, writers Greg McKenzie, Hasti, Gus Casely-Hayford, Stuart Brumfitt, Ella Joyce, Jordan Page, Jenna Mahale, Habiba Katsha, Nils Leonard, Graydon Carter, Don Morrison, plus original writing from Bud Smith, and exclusive interview with Rebecca Solnit, and a re-look at Port Issue 1 with the late Robert Hughes. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePort\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eIssue 38, the first of two celebrating the publication’s 15th Anniversary, is a call to reflect – to the importance of slowing pace and taking note of the journey so far. In a contemporary age where chaos and uncertainty roam without restraint,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePort\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eactions a search for meaning, stability, and connection amid constant change. Our cover stories and discussion seek to embody this intimately.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMaude Apatow\u003c\/strong\u003e, on the cusp of her directorial debut with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePoetic License\u003c\/em\u003e, reflects on the distance travelled since\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEuphoria\u003c\/em\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJames Norton\u003c\/strong\u003e, poised between roles in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHouse of the Dragon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Beatles\u003c\/em\u003e, sits with\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eBill Nighy\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto consider the management of appetite, on screen and off;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHeadie One\u003c\/strong\u003e, a figure of unusual clarity in British rap, turns to the past as a means of measuring the present;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRachel Weisz\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ejoins\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLeo Woodall\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto discuss his instinct for inhabiting longing ahead of the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTuner\u003c\/em\u003e; and the recent BAFTA winner\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRobert Aramayo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecalls on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJack O’Connell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto weigh triumph against its cost. Lastly,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNaomi Ackie\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshares candid reflections on anxiety and the work of repair as she awaits the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Love Boosters\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePortfolio\u003c\/em\u003e, shot by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarius W Hansen\u003c\/strong\u003e, we have photographed the things creatives need to work. Eight practitioners, among them\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFiona Banner\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShelley Fox\u003c\/strong\u003e, and\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eStephen Jones\u003c\/strong\u003e, demonstrate that reduction, properly understood, is a form of abundance.\u003c\/p\u003e\n\u003cp\u003eElsewhere,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGus Casely-Hayford\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThomas J Price\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etake stock of artistic legacy in a restless age. The fashion designer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCraig Green\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoffers a rare view into his practice. The wonderful Nigerian writer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAkwaeke Emezi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis in conversation with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHasti.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe chef\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeremy Lee\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecooks, generously and a little messily, for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOlivia Laing\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCharlie Porter\u003c\/strong\u003e. And the restaurateur\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeremy King\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeets\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNils Leonard\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto examine taste, craft and building your own stories.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDeyan Sudjic\u003c\/strong\u003e, our editor of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePort Review of Design\u003c\/em\u003e, revisits a decade and a half of design, tracing a line between utility and desire, whilst also exploring\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRaw-Edges\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Louis Vuitton’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eObjets Nomades\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOur\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCommentary\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esection returns with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRebecca Solnit\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein conversation with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlexander Chee\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon apocalyptic thinking, alongside new fiction from rising star\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBud Smith\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand the reappearance of a familiar\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePort\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003evoice, the late, great\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRobert Hughes\u003c\/strong\u003e.\u003c\/p\u003e","brand":"shreejinewsagents","offers":[{"title":"Default Title","offer_id":58287889842560,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/1020\/0763\/files\/port1_b6750836-99ae-41ae-86c7-546ae7eeecca.png?v=1781789187","url":"https:\/\/www.shreejinewsagents.com\/products\/port-38","provider":"shreejinewsagents","version":"1.0","type":"link"}